A very short history of art - the first 16,500 years.
The history of art can be traced back to paintings from about 15,000 BC cave.
The manner of painting changed little until about 1450 AD, when the Renaissance brought about-naturalistic style and formal rules of composition, such as perspective and proportion.
Emerged after the Renaissance, new styles every 50 to 100 years, but nothing much has changed.
Art in the late 18th and early 19 Century --when everything changed
Abandoned in 1874, Impressionism, traditional formal compositions for a looser and less contrived arrangement of objects in an image. To was the turn of the century Impressionist movement, but all stopped, but his influence was and lasting importance.
Post-Impressionism Impressionism produced. Post-Impressionism was both an extension and the rejection of Impressionism. While Impressionism remained true to nature, postImpressionism favored bright and unnatural colors and an elimination of concern for the naturalistic depiction of light and color for an emphasis on abstract qualities or symbolic content. The Post-Impressionist movement took a similar bit about the turn of the century, but had a far-reaching impact on the arts.
In the first half of the 19th Century spawned various forms of abstract art. Abstract artist went from realistic representations ofTechniques such as shift of perspective, exaggeration, simplification, etc. The Dada movement was a form of abstract art.
The Dada movement
In 1916, the Dada movement formed under despair and disgust, from the horrors of World War I. Dada art was consciously anti-aesthetic, and tries to reject all the rules and conventions. Many Dada artists as their work as anti-art and purpose of anger have their audience. The single most influentialDada artist Marcel Duchamp was well.
Conceptual Art springs "Duchamp's" Fountain "
As a young boy who sought Duchamp to a conventional artist and took classes in academic drawing. He worked in the style of the time (post-impressionism, cubism, etc) to achieve, but not the recognition, until 1917, when the notorious 'Fountain changed' the face of art.
"Fountain" was a signed urinal. Duchamp claimed that it is a work of art that had created it because he wanted to,He gave her a name, he placed it in a different context, and created a new thought for that object.
At first "Fountain" has been abused: in the time it was glorified
Duchamp was an art, anarchist, and his aim was to damage the art establishment. I believe his "Fountain" was clear where the "p". Unfortunately, the perception of art is transformed to embrace Duchamp hoax, and allowed him to achieve his goal: anti-art.
We now have reason that everything can be art, which otherwise isto say that everything is everything. 90 years later, our art galleries, art awards and coverage in the media are full of "Fountain" and the goal of our today's most notorious "artist" still seems to be indignation of its audience. Modern art has become a very tired joke.
In December 2004, Duchamp's Fountain was voted the most influential artwork of the 20th Century by 500 selected British art world professionals. The Independent noted in a February 2008 article, with thissingle work, Duchamp invented conceptual art and "forever separated, the traditional link between art and merit."
Therein lies the problem, conceptual art is not just invalidate all other considerations, but it seems to be the standard by which all art is now measured. We are asked to think of art as the fantasy that an expression of our inner self, and a eulogy of the primacy of man. We are from the thought of art as just pretty discouraged oneCelebration of nature, and a product of physical abilities.
As a professional portrait artist, I aspire to be alive the traditional standards of natural colors, perspective, proportion, etc., to keep the act of creation is subordinate to the output. My goal is to copy from life, paint something pretty (delight), rather than shock, and make no political statement.
On the scale Duchamp, my work has no merit, yes, it's probably not even qualify as "art."
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